Wolfgang Petersen has fully embraced this quest to deliver a monument that has become a cult, a kind of unavoidable tale of childhood. This cinema of sincerity, of constant wonder, entirely devoted to the spectators, without cynicism, without marketing, without rigidity or charter, guided only by passion and the absolute quest for the Holy Grail of entertainment cinema: "selling dream". The NeverEnding Story belongs to this cinema of travel, the one capable of transporting its audience far, very far, in an imaginary going beyond the mere cinematic framework, beyond the narrative strings and the confection manufactured according to codes. ![]() Who has never vibrated, with a heart full of emphasis and ecstatic peepers, before the adventures of the intrepid Atreyu, with his steed Artax and the gentle dragon Falkor with his reassuring voice? Who has never been amazed and never wanted to be in Bastian's place, at the dawn of an incredible adventure? Who has never heard about the imaginary world of Fantasia, his beautiful young princess, Moorlah the benevolent turtle, the terrifying Gmork the wolf dog, the stone-eating Golem or the Southern oracle?
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